The history of a rock band
Released between December 1976 and January 1977, Wind & Wuthering marked the end of an era for Genesis. It was the last album to feature Steve Hackett before his departure, and it stands as one of the band’s most progressive works, balancing complex storytelling, instrumental prowess, and early hints of their later pop-oriented direction.
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Before Genesis became the iconic progressive rock band we know today, its roots lay in two school bands at Charterhouse School: Garden Wall and Anon. Among these, Anon brought together the talents of Anthony Phillips, Richard Macphail, Rivers Jobe, Rob Tyrrell, and a young Mike Rutherford. On December 16, 1965, Anon performed their first live gig—the humble beginning of a legendary musical journey.
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In November 1971, Genesis released Nursery Cryme, their third studio album and a turning point in their musical evolution. It marked the arrival of guitarist Steve Hackett and drummer Phil Collins, whose contributions would shape the band’s signature progressive rock sound.
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The Way We Walk – Live in Concert, originally released in 1993 and reissued on DVD in 2001, offers fans an intimate and electrifying glimpse into the band’s We Can’t Dance tour. Filmed over three nights at London’s Earls Court in November 1992, this concert video is a vibrant showcase of Genesis’s remarkable musicianship and theatrical flair.
Continue reading “Genesis – The Way We Walk: Live in Concert DVD Review”![Phil Collins on the cover of Live at Perkins Palace [1982]](https://genesis-band.com/wp-content/uploads/2024/11/Phil-Collins-on-the-cover-of-Live-at-Perkins-Palace-1982.jpg)
On November 21, 1982, Phil Collins embarked on a bold new chapter in his career: his first-ever solo concert. Held in Den Haag, Netherlands, this performance marked the start of his Hello, I Must Be Going! tour, a tour that defined his journey from Genesis drummer and vocalist to a global solo star.
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As Genesis embarked on their ambitious The Lamb Lies Down on Broadway tour, which commenced on November 20, 1974, audiences were drawn into an elaborate fusion of music and visual storytelling that spanned 102 shows across the U.S., Europe, and the UK. The tour, running until May 22, 1975, was an unprecedented venture, marked by its innovation, chaos, and lasting legacy. But how did it become one of the most memorable and challenging chapters in Genesis’ history?
Continue reading “The Lamb Lies Down on Broadway Tour: A Theatrical Odyssey (1974–1975)”
In November 1992, Genesis released The Shorts, the first volume of their dual live album project, The Way We Walk. This release marked a departure from the typical live double-album format that encapsulates an entire show. Instead, Genesis took a bold approach by splitting their 1992 tour recordings into two thematic compilations: The Shorts—a collection of their most recent hits—and The Longs, featuring their extended, experimental tracks and a medley from the ’70s.
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In June 1974, Genesis found themselves at a pivotal moment in their career. The band, having evolved through various phases, was now at the cusp of creating one of their most ambitious and transformative albums: The Lamb Lies Down on Broadway. Genesis had entered a new phase, both creatively and personally. The group decided to record in a new environment, seeking a place that would inspire their next sonic chapter. They chose Headley Grange, a decaying old eighteenth-century poorhouse in East Hampshire, previously inhabited by artists like Led Zeppelin and Bad Company. But when Genesis arrived, it was in a dilapidated state. The previous occupants had left behind quite a mess, and the house, with its eerie atmosphere, only added to the tension brewing within the band.
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We Can’t Dance marked Genesis’ 1991 return following an intensive period of solo projects and the global success of their previous Invisible Touch tour, which captivated 3.5 million fans across 112 shows but left the band physically and emotionally spent. Personal experiences, including Mike Rutherford’s loss of his father and complications during his son Harry’s birth, shaped the hiatus that saw Mike successfully releasing The Living Years with Mike + The Mechanics, and Phil Collins achieving massive success with …But Seriously and its accompanying tour. The band reconvened at The Farm, their private studio in Surrey, in March 1991, producing We Can’t Dance over six months. This album would become the final Genesis album with Collins as lead vocalist.
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On November 7, 2006, Genesis fans received long-awaited news during a press conference at the May Fair Hotel in London. Tony Banks, Phil Collins, and Mike Rutherford—the trio that had propelled Genesis to global stardom—announced their reunion for the Turn It On Again tour, set for 2007. It marked the first time in 14 years that Collins, who had stepped away in 1996, would join his bandmates on stage. Chester Thompson and Daryl Stuermer, long-standing touring members, were also set to return, cementing a lineup familiar to fans of the group’s 1980s and 1990s peak.
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