The history of a rock band
In November 1971, Genesis released Nursery Cryme, their third studio album and a turning point in their musical evolution. It marked the arrival of guitarist Steve Hackett and drummer Phil Collins, whose contributions would shape the band’s signature progressive rock sound.
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As Genesis embarked on their ambitious The Lamb Lies Down on Broadway tour, which commenced on November 20, 1974, audiences were drawn into an elaborate fusion of music and visual storytelling that spanned 102 shows across the U.S., Europe, and the UK. The tour, running until May 22, 1975, was an unprecedented venture, marked by its innovation, chaos, and lasting legacy. But how did it become one of the most memorable and challenging chapters in Genesis’ history?
Continue reading “The Lamb Lies Down on Broadway Tour: A Theatrical Odyssey (1974–1975)”
In November 1992, Genesis released The Shorts, the first volume of their dual live album project, The Way We Walk. This release marked a departure from the typical live double-album format that encapsulates an entire show. Instead, Genesis took a bold approach by splitting their 1992 tour recordings into two thematic compilations: The Shorts—a collection of their most recent hits—and The Longs, featuring their extended, experimental tracks and a medley from the ’70s.
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In June 1974, Genesis found themselves at a pivotal moment in their career. The band, having evolved through various phases, was now at the cusp of creating one of their most ambitious and transformative albums: The Lamb Lies Down on Broadway. Genesis had entered a new phase, both creatively and personally. The group decided to record in a new environment, seeking a place that would inspire their next sonic chapter. They chose Headley Grange, a decaying old eighteenth-century poorhouse in East Hampshire, previously inhabited by artists like Led Zeppelin and Bad Company. But when Genesis arrived, it was in a dilapidated state. The previous occupants had left behind quite a mess, and the house, with its eerie atmosphere, only added to the tension brewing within the band.
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We Can’t Dance marked Genesis’ 1991 return following an intensive period of solo projects and the global success of their previous Invisible Touch tour, which captivated 3.5 million fans across 112 shows but left the band physically and emotionally spent. Personal experiences, including Mike Rutherford’s loss of his father and complications during his son Harry’s birth, shaped the hiatus that saw Mike successfully releasing The Living Years with Mike + The Mechanics, and Phil Collins achieving massive success with …But Seriously and its accompanying tour. The band reconvened at The Farm, their private studio in Surrey, in March 1991, producing We Can’t Dance over six months. This album would become the final Genesis album with Collins as lead vocalist.
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Genesis’s second album, Trespass, marked a turning point in their musical journey. Released in October 1970 on the Charisma label (and on ABC Records in the US), the album showcased a band finding its identity, blending folk, rock, and soul in ways that set them apart from their contemporaries. Recorded at Trident Studios in London under the guidance of producer John Anthony, Trespass was a bold step forward for Genesis, a band on the brink of discovering their iconic sound.
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It’s the year 1972. Genesis had released Nursery Cryme the year before and had played their first show overseas in Brussels in early 1972. Several shows in Europe followed and after their return to the UK, they began writing their next album Foxtrot, which, for many fans, would become their ‘progressive’ high point.
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On March 15, 2010, Genesis was inducted into the Rock and Roll Hall of Fame. Phil Collins, Mike Rutherford, Tony Banks, and Steve Hackett attended the ceremony, accompanied by long-time live members Chester Thompson and Daryl Stuermer. Peter Gabriel, however, chose not to attend. The band was introduced by Phish frontman Trey Anastasio.
By the time Genesis received this honor, they had already been on hiatus for three years. Their last tour, Turn It On Again, took place in 2007, featuring Collins, Rutherford, and Banks, along with Stuermer and Thompson. The tour was a massive success, but it came at a cost.
During the tour, Phil Collins began experiencing numbness in his left arm and fingers while drumming. It was later revealed that he had suffered severe nerve damage in his neck and back – likely a result of decades of drumming. With his ability to play drums compromised, the prospect of future Genesis live performances seemed highly unlikely.
As news of Genesis’ induction spread, speculation ran wild. Would all former members attend? Would Peter Gabriel make a surprise appearance? Would they even perform together?
The answer was a clear no. Gabriel was preparing for his own tour and opted out of the ceremony. Over the years, he had distanced himself from Genesis, having left the band in 1975 to embark on a highly successful solo career. He had no interest in rekindling the past and, to put an end to the rumors, simply stayed away. However, the other four core members – Banks, Rutherford, Collins, and Hackett – were present, along with their families and longtime touring musicians Stuermer and Thompson.
The induction speech was delivered by Trey Anastasio of Phish.
Phish performed two Genesis songs that evening: Watcher of the Skies and No Reply at All – one from each era of the band, yet both somewhat unconventional choices. Interestingly, they seemed to struggle more with the ‘pop’ track No Reply at All than with the complex, progressive Watcher of the Skies.
Trey Anastasio’s speech was a highlight of the night. Rather than rehashing well-known Genesis anecdotes, he provided a musician’s perspective on the artistry behind Trespass, Selling England by the Pound, and Duke. His speech was a fitting tribute, emphasizing that Genesis wasn’t being honored merely for their commercial success, but for their musicianship and innovation.
When the four classic members took the stage, Rutherford, Collins, and Hackett each shared a few words. (Hackett’s speech, admittedly, was a bit awkward.) Rutherford acknowledged Gabriel’s absence, explaining that he was busy preparing for an orchestral tour.
Later, Phil Collins admitted he was actually relieved that Gabriel hadn’t attended – otherwise, the night would have been overshadowed by inevitable questions about a possible reunion. The induction felt like a final chapter in Genesis’ long and storied career, a celebration rather than a new beginning.
Unbeknownst to fans at the time, this would be the last public appearance of Genesis for many years – and also the final time Chester Thompson would stand alongside them.
Trey Anastasio summed it up best when he described Genesis as ‘rebellious, restless, and constantly striving for something more.’ Few statements could better encapsulate the essence of their career.
Title photo: Genesis on stage during the The Lamb Lies Down On Broadway tour, 1974-75. Source: Wikimedia Commons, Nick Contador/ CC-BY-SA-2.5 (https://creativecommons.org/licenses/by/3.0).
First photo: Genesis live, July 29th, 1992 Kiel, Germany. The Nordmarksportfeld. Source: Wikimedia Commons, Derzsi Elekes Andor/ CC-BY-SA-2.5 (https://creativecommons.org/licenses/by/3.0).
Second Photo: The Way We Walk – The Shorts (Cover).
Third photo: Genesis live, July 29th, 1992 Kiel, Germany. The Nordmarksportfeld. Source: Wikimedia Commons, Derzsi Elekes Andor/ CC-BY-SA-2.5 (https://creativecommons.org/licenses/by/3.0).
Fourth photo: Daryl Stuermer, Chester Thompson and Mike Rutherford, Liverpool Empire, Duke Tour 1980. Source: Wikimedia Commons, Rodhullandemu/ CC-BY-SA-2.5 (https://creativecommons.org/licenses/by/3.0).
Fourth photo: Genesis, Phil Collins, Strasbourg, October 1981. Source: Wikimedia Commons, Philippe Roos from Strasbourg/ CC-BY-SA-2.5 (https://creativecommons.org/licenses/by/3.0).