Tag: vocalist

Posted on

Phil Collins’ Last Gig with Genesis at Cowdray Ruins, 18 September 1993

On 18 September 1993, Genesis gave what would turn out to be Phil Collins’ final live performance with the band: an understated charity concert at the historic Cowdray Ruins in Sussex.

Genesis in 1993

1993 was a relatively quiet year for Genesis. Following their massive We Can’t Dance tour in 1992, the members returned to their solo projects. For Phil Collins, it was a turbulent time. His marriage to his second wife, Jill, was breaking down under heavy tabloid scrutiny, and he poured much of that emotion into his solo album Both Sides. Dark, angry, and intensely personal, the album divided critics, something that weighed heavily on him.

Against this backdrop, Genesis regrouped briefly for a one-off charity concert at Cowdray Ruins. The show raised funds for the King Edward VII Hospice and featured an extraordinary lineup, including Pink Floyd and the surviving members of Queen.

A unique Genesis lineup

That night, Genesis appeared without their regular touring partners Chester Thompson and Daryl Stuermer. Instead, the drums were handled by Roger Taylor (Queen) and Gary Wallis (Mike + The Mechanics), while Tim Renwick (Pink Floyd, Mike + The Mechanics) filled in on guitar and bass.

Genesis performed a short set including “Turn It On Again,” “Hold On My Heart,” “I Can’t Dance,” and a “Tonight, Tonight, Tonight / Invisible Touch” medley. Some sources claim they also played Collins’ solo track “That’s Just the Way It Is,” though this remains doubtful.

Next, Pink Floyd took the stage, with Paul Young (Mike + The Mechanics) providing vocals on some numbers and Mike Rutherford stepping in on bass. Eric Clapton also performed a short set with Mike on bass, before the night ended with the “All Star Cowdray Ruins Band,” featuring nearly everyone involved, running through “Ain’t That Peculiar,” “Can I Get a Witness,” and “Gimme Some Lovin’.”

Low-quality recordings of the event survive on YouTube, but unfortunately no professional release exists, something of a shame, given its historical importance.

Phil’s reflections

Although successful, the concert was modest in scale. Few realized it marked the end of Collins’ 18-year run fronting Genesis. For Phil, the show highlighted his growing distance from the band:

“In the middle of my writing and making BOTH SIDES, Genesis did a concert with Queen. […] But I didn’t enjoy it … As I was singing these songs, it didn’t feel natural. Obviously, it was bad timing, going just like that from doing my most personal thing to a Genesis thing and back. But it definitely felt like ‘What am I doing here?’, like shoes that don’t fit anymore.“1

Though he wouldn’t announce his departure until 1996, the seeds had been sown that evening.

The Cowdray Ruins line-up (as listed in the program):

  • Tony Banks – Genesis (keyboards)
  • Eric Clapton – guitar
  • Phil Collins – Genesis (vocals)
  • John Deacon – Queen (bass)
  • David Gilmour – Pink Floyd (guitar)
  • Adrian Lee – Mike + The Mechanics (keyboards)
  • Nick Mason – Pink Floyd (drums)
  • Tim Renwick – Mike + The Mechanics / Pink Floyd (bass, guitar)
  • Mike Rutherford – Genesis (guitar, bass)
  • Roger Taylor – Queen (vocals, drums)
  • Garry Wallis – drums
  • Richard Wright – Pink Floyd (keyboards)
  • Paul Young – Mike + The Mechanics (vocals)

Phil’s departure was still a few years away from being official. But looking back, Cowdray Ruins was the true closing chapter of his time with Genesis.

Sources

Hewitt, Alan (2000): Opening The Musical Box. London: Firefly Publishing.

Platts, Robin (2007): Genesis. Behind the lines, 1967-2007. Burlington, Ont., Canada: Collectors Guide Pub.

Thompson, Dave (2005): Turn it on again. Peter Gabriel, Phil Collins & Genesis. San Francisco: Backbeat Books.

  1. in Platts 2007: 140 ↩︎
Posted on

The Last Show of “The Lamb” Tour – and Peter Gabriel’s Final Genesis Gig

On May 22, 1975, Genesis played the final show of their ambitious The Lamb Lies Down on Broadway tour. It would also mark the last time Peter Gabriel performed with the band as lead vocalist.

The Lamb Lies Down On Broadway: A Bold New Chapter

In 1974, Genesis entered the studio to record their most ambitious project yet: The Lamb Lies Down on Broadway. The double concept album told a surreal and complex story by Peter Gabriel, following a Puerto Rican teenager named Rael as he journeys through a strange underworld beneath New York City.

The urban American setting was a dramatic shift from the band’s earlier tales rooted in British folklore and fantasy. After touring North America, Genesis were aiming to break into the U.S. market. The Lamb was also their first true concept album (after an unsuccessful attempt on their debut), a hallmark of many progressive rock bands at the time.

Internally, however, tensions were mounting. Gabriel wrote all the lyrics and developed the story independently, while Tony Banks, Mike Rutherford, and Phil Collins composed most of the music during jam sessions at Headley Grange. Steve Hackett’s contributions were minimal, and the creative disconnect between words and music created friction. Only one track, “The Light Dies Down on Broadway”, had lyrics penned by Banks and Rutherford instead of Gabriel.

Behind-the-Scenes Tensions

Two key factors contributed to Gabriel’s growing estrangement from the band. First, he had attracted interest from The Exorcist director William Friedkin, who was keen to collaborate on a film. Gabriel was tempted, even considering leaving the band, but the project never materialized.

Second, Gabriel’s wife Jill gave birth to their first daughter, Anna, in July 1974. Complications following the birth drew Gabriel further away from the group. He was the first member to start a family, and this life change made him reassess his priorities and see a future beyond the band. His inner conflict bled into The Lamb‘s narrative, for example in the song “In the Cage,” where Rael cries, “Get me out of this cage!”

Upon release, The Lamb Lies Down on Broadway received mixed reviews and was commercially underwhelming. Ticket sales for the tour were below expectations, and several shows were cancelled. Though the album is now revered as a cult classic, its reception at the time was disappointing, particularly for Gabriel, who had poured his heart into the concept.

A Tour Like No Other

The band made the bold decision to perform the album in full on tour, even before many fans had a chance to hear it. Gabriel, already known for his theatrical costumes, pushed the visual spectacle even further, but it came at a cost. His elaborate outfits, including the infamous “Slipperman” costume, sometimes muffled his vocals or distracted from the music itself. The rest of the band grew frustrated, feeling the show had become more about theatrics than sound.

Technical problems were frequent. The stage used projected slides to accompany the story, but they often jammed or displayed out of sequence. In one infamous incident, a Peter Gabriel dummy meant to mirror him on stage was mysteriously swapped for a naked roadie. And during a song that required a small explosion, the production manager accidentally triggered a huge blast so loud that the band stopped mid-song. Peeking through the curtain, the crew member sheepishly said, “Sorry,” to which Phil Collins yelled, “You’re fired!”

Gabriel’s Departure

Midway through the tour, Gabriel made the decision to leave Genesis. Their manager Tony Smith was not surprised, but asked him to finish the remaining dates before making it public.

Gabriel’s final show with Genesis took place in Saint-Étienne, France, in May 1975. Ironically, it wasn’t meant to be the last show, but the scheduled final concert was canceled at the last minute. And so, without much fanfare, Peter Gabriel’s time with Genesis came to an end.

He had co-founded the band in 1967 alongside Tony Banks, Mike Rutherford, and Anthony Phillips. His departure, announced later that year, shocked fans and cast doubt over the band’s future. Could Genesis survive without their charismatic frontman?

As history would show — they could. And so could he.

Photo: Peter Gabriel in 1975. Photographer unknown. https://commons.wikimedia.org/wiki/File: Peter_Gabriel,_April_1975.jpg. Unknown author / CC0 (https://creativecommons.org/licenses/by/3.0).

Posted on

Ray Wilson Announced as New Genesis Frontman

On June 6, 1997, Tony Banks and Mike Rutherford announced the new lead singer of Genesis following Phil Collins’ departure: 28-year-old Ray Wilson.

When Phil Collins revealed in March 1996 that he would be leaving Genesis after 25 years, fans were eager to learn who would step into his shoes. Genesis had already weathered the departure of their original frontman, Peter Gabriel, back in 1975. Now, two decades later, Tony Banks (keyboards) and Mike Rutherford (guitars), the remaining founding members, were determined to carry on once more.

They began writing and recording new material, searching for a vocalist who could help them shape the band’s next chapter. Rumors swirled in the music press, speculating about possible replacements. Then, on June 6, 1997, it was official: Ray Wilson would be the new voice of Genesis.

Who is Ray Wilson?

Born in Dumfries, Scotland, on September 8, 1968, Ray had previously fronted the band Guaranteed Pure and was best known for his work with Stiltskin, whose hit single “Inside” reached number one in 1994, thanks in part to its use in a Levi’s commercial. So, while Ray wasn’t an unknown figure in music, the stylistic gap between Stiltskin and Genesis left both his fans and Genesis fans surprised and cautious.

Reflecting on the moment in the Songbook DVD, Ray recalled:
‘I was in my little studio writing songs. It was ten in the morning, I was making a coffee, and Tony Smith, the manager of Genesis, was on the phone: ‘Would you like to come and audition to replace Phil Collins?”

By then, Phil Collins’ massive solo success had blurred the public’s perception of Genesis. It was often seen as “Phil Collins and his band”. Taking over that role and shifting that image would be no easy task.

Calling All Stations

Ray joined Tony and Mike at The Farm, Genesis’ private studio in Surrey, to begin recording what would become Calling All Stations. Most of the songs had already been written by Banks and Rutherford, but Ray contributed several ideas of his own. The result was a darker, more melancholic record. The vibrant energy and accessible pop sensibility Phil had brought to the group were now absent, and with it, part of the familiar Genesis chemistry.

Still, Ray’s emotionally rich vocals suited the mood of the new material. His voice, more reminiscent of Peter Gabriel than Phil Collins, blended well with the brooding tone of the songs. Calling All Stations, like its predecessor We Can’t Dance, was produced by Nick Davis.

Three singles were released from the album: “Congo”, “Shipwrecked”, and “Not About Us”. Ray co-wrote the latter, along with “Small Talk” and “There Must Be Some Other Way.” Drums on the record were provided by Israeli session musician Nir Zidkyahu and Nick D’Virgilio from American prog-rock band Spock’s Beard.

Despite Ray’s strong performance, critics were less than kind. NME wrote dismissively that “the world doesn’t care enough about Genesis to make the effort” and claimed people had “forgotten why they were once any good.” Q magazine criticized the album for offering “just darkness, confusion, individual isolation,” calling it “one-paced and one-dimensional.”

Live in 1998: Ray on Tour

On tour, however, Ray proved his versatility. The setlist spanned the entire Genesis catalog from the pop-era hits like “Invisible Touch”, “No Son Of Mine”, and an acoustic version of “Follow You Follow Me”, to later epics such as “Home by the Sea”, and even classic Gabriel-era tracks like “Carpet Crawlers” and “The Lamb Lies Down on Broadway.” New material from Calling All Stations also held up well live. Some songs, like the title track, even sounded better on stage.

Ray, Mike, and Tony were joined on tour by Nir Zidkyahu on drums and Anthony Drennan on guitar and bass, effectively filling the shoes of Chester Thompson and Daryl Stuermer.

Commercial Struggles

Despite reaching No. 2 in the UK, Calling All Stations underperformed in the U.S., peaking at just No. 54. Ticket sales also fell short of expectations. As a result, the production and scale of the tour were scaled back and the planned American leg was cancelled entirely.

After the 1998 tour, Tony Banks and Mike Rutherford decided to put Genesis on indefinite hold.

Looking Back

Although this wasn’t the end of Genesis, in 1998 it certainly felt like it. And sadly, Ray Wilson, thrust into a difficult situation, was unfairly blamed by some critics and fans for the band’s lack of commercial success during this era.

But this criticism doesn’t hold up. Ray brought a unique voice and delivered both the new material and the classics whether originally sung by Peter Gabriel or Phil Collins with emotion and distinction.

Following the end of Genesis, Ray took time to regroup before launching a solo career. He has since released several solo albums and continues to perform live, often including Genesis songs in his setlists.

Title photo: Ray Wilson live in Dortmund in 2017 (Photo: André Wilms of ‘The Photography Of Mister Ilms)‘.

Posted on

Phil Collins’ Departure from Genesis in 1996

On March 28, 1996, Genesis officially announced Phil Collins’ departure in a press release titled: “Genesis end twenty-year experiment, decide to replace Peter Gabriel as vocalist.”

It marked the end of an era. But the story of Phil’s (temporary) exit began long before that.

Phil Collins Had Made Up His Mind in 1993

By 1993, Genesis were at their peak. The massive We Can’t Dance tour had wrapped up the previous year, and in the fall of ’93, the band performed at Cowdray Ruins, a charity concert alongside Pink Floyd, Queen, and Eric Clapton. Genesis played a short set and joined the all-star lineup for the encore. No one realized it would be Phil Collins’ last performance with the band for a long time.

At the time, Phil was already deep into writing what would become his most personal solo album, Both Sides. He played every instrument and produced the album himself, much like he had done on Face Value. The deeply introspective songs reflected his personal turmoil – his marriage to Jill was falling apart due to his affair with childhood sweetheart Lavinia Lang. With his family on the verge of breaking up again, he found it increasingly difficult to sing Genesis songs. He wanted to write and perform music that truly reflected his own emotions.

A New Chapter, a New Life in Switzerland

Sometime after the Cowdray Ruins gig, Phil confided in manager Tony Smith about his desire to leave Genesis. But Smith, ever the businessman, encouraged him to finish his solo album and tour first—then decide.

Phil embarked on the Both Sides world tour in 1994 and 1995, during which he met Orianne Cevey in Switzerland. Falling in love, he decided to leave England and settle in Lake Geneva. The British press harshly criticized him – both for his music and his personal life. He grew to resent his ‘Mr. Nice Guy’ image and felt increasingly distant from Genesis.

Tony Banks and Mike Rutherford Decide to Carry On

In 1996, the band convened in Tony Smith’s kitchen, where Phil finally made it official – he was leaving Genesis.

Tony Banks reacted with typical British understatement: “It’s a sad day, a very sad day.”

Mike Rutherford, on the other hand, was more surprised that Phil had stayed as long as he did given his highly successful solo career.

On March 28, 1996, exactly twenty years and two days after his first show as Genesis’ lead singer, the news went public. With Phil’s departure, Genesis lost not just their frontman and entertainer, but also a brilliant composer and drummer.

Still, Tony and Mike decided to continue, eventually searching for a new singer. Meanwhile, Phil focused on his solo career, though his success never quite reached the heights of the 1980s.

Despite going their separate ways, the three remained close. By the early 2000s, they occasionally reunited for special appearances. Then, a decade after Phil’s departure, Genesis officially came back together for the 2007 Turn It On Again tour.

But that’s another story.

Title photo: The world famous band – Genesis. Tony Banks, Phil Collins and Mike Rutherford. (Photo 1991) . Source: Wikimedia Commons, David Scheinmann / CC BY (https://creativecommons.org/licenses/by/3.0).