Steve Hackett’s first gig with Genesis

On 14 January 1971, Steve Hackett played his first gig with Genesis at University College, London. It was not the best start for the guitarist.

When Steve joined in late 1970, Phil Collins had already been in the band for a few months. Since then, Genesis had performed as four piece: Tony Banks on keyboards, Mike Rutherford on guitar and bass, Phil Collins on drums and Peter Gabriel on vocals.

Steve Hackett was quite nervous before he played his first gig with Genesis. On 14 January 1971 the band played at University College in London. They came in the afternoon, the stage was set up, they did a soundcheck and had something to eat and a few drinks.

Phil decided to test the rule of how many Newcastle Brown Ales you could drink and still play the drums

On this evening, Phil decided to test the rule of how many Newcastle Brown Ales you could drink and still play the drums. By the time the band was onstage, he did all the right fills but three inches to the right of each drum.

The usual equipment problems of the early Genesis days kicked in

For nervous Steve, the whole gig was a nightmare. Not only because of Phil’s experiment, but also because the usual equipment problems of the early Genesis days kicked in, when his fuzzbox did not work properly.

After the show he thought that he had failed and the others did not want him in the group. He heard Tony Banks and Mike Rutherford arguing with Phil backstage and thought it was about him. Of course they gave Phil a hard time because of his performance!

Although this certainly was not the best first gig for Steve Hackett, the audiences were happy and the band wanted him to stay. They liked his contribution and played more gigs throughout the year and recorded their first album together, Nursery Cryme*. But that is another story in Genesis history.

Title photo: Wikimedia Commons, Jeff Wurstner / CC BY (https://creativecommons.org/licenses/by/3.0)

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The Longs (1993) – Genesis

After the ‘We Can’t Dance’ tour in 1992, Genesis released two live albums titled The Way We Walk (1992/93). A ‘typical’ Genesis concert from that period was split in two. The first volume, The Shorts contained the hits, the second volume The Longs contained longer epics. Live – The Way We Walk, Volume Two: The Longs was released in January 1993 . It was their last release with Phil Collins before he left the group and the band’s last no. 1 album in the UK.

The second volume of the live release The Way We Walk

All the songs on the live album were recorded on the We Can’t Dance tour in 1992. It starts with an impressive ‘Old Medley’ which incoporates snippets from ‘Dance On A Volcano’, ‘The Lamb Lies Down On Broadway’, ‘The Musical Box’, ‘Firth Of Fifth’, ‘I Know What I Like (In Your Wardrobe)’ and more. The sound of the album is pristine, Mike Rutherford’s and Daryl Stuermer’s guitars are much more prominent than on previous live releases. This shift in sound came with new producer Nick Davis, who had also produced Genesis’ last studio album We Can’t Dance. Daryl only plays guitar on the ‘Old Medley’, Mike plays guitar on all the other tracks of the album and rhythm guitar on ‘Dance On Volcano’ in the ‘Old Medley’.

The medley is followed by ‘Driving The Last Spike’, ‘Domino (Part I: In The Glow Of The Night, Part II: The Last Domino)’, ‘Fading Lights’, ‘Home By The Sea/Second Home By The Sea’ and the ‘Drum Duet’ between Phil Collins and Chester Thompson.

‘When we came down to the dressing room afterwards the roadies had put down what tonight’s timing was, because it always got a bit longer’, Phil laughs. ‘They put bets on it and see if we were going to break the 10-minute mark tonight. It was definitely the highlight. Tony Banks would debate because he used to go and have a beer, but it was one of the highlights of the show for sure.’1

‘There’s something that happens when you got two drums locked in together’, Chester says. ‘The power is just so amazing. […] Those moments for me were the ones where there was, for a lack of a better word, a majesty to it.’2

Apart from the medley, the other songs come from the most recent albums Genesis (1983), Invisible Touch (1986) and We Can’t Dance (1991).

Their last number one album with Phil Collins

All of the songs sound stronger than on record with Chester Thompson and Daryl Stuermer playing an important part in it. Chester’s drumming and Daryl’s bass lines on ‘Driving The Last Spike’ lift the song up on another level.

‘Fading Lights’ is interesting as it is only played by the three band members Tony, Phil and Mike. It is a typical long song in band tradition with an extraordinary instrumental part (also way better than on record). The lyrics about fading memories were written by Tony and it almost seems as if Genesis were discreetly saying goodbye to their fans. Was it irony or prophecy that the band really split up afterwards?

‘Domino’ and ‘Home By The Sea’ both sound better than on record because the e-drums are replaced by real drums and there is much more energy in the performance. The ‘Old Medley’ songs that would have sounded interesting as standalone tracks are ‘Dance On A Volcano’ and ‘The Musical Box’. ‘The Lamb Lies Down On Broadway’ and ‘I Know What I Like’ would have sounded very modern between the more recent hits.

Many fans do not like the way the band split up the two The Way We Walk volumes. Nonetheless, The Longs is a great compilation with many of the songs presented in their best versions.

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  1. PHIL COLLINS: ON AMERICAN DRUMMER CHESTER THOMPSON DRUMMING FOR GENESIS. ↩︎
  2. CHESTER THOMPSON FULL INTERVIEW : DRUMMING WITH ZAPPA, WEATHER REPORT, GENESIS & PHIL COLLINS. ↩︎